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descriptionChildren Poems EmptyChildren Poems

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I'll tell you why I'm tardy and I hope my excuse will do.
I stopped to view upon a leaf a spider and some dew.
She spun a web before my eyes with a soft and silver hue,
And when she looked, I looked at her and whispered, "Peekaboo!"

I think I may have startled her and so I waved good-bye,
But when I turned around to go, I met a butterfly!
I almost caught him in my hand to bring to class for you,
But when I tried to peek inside, away my treasure flew.

And that is how I'm tardy, but I had to tell you why.
It's all the fault of a spider's web and a sneaky butterfly!

Last edited by mr.banker on Mon May 25, 2009 5:05 pm; edited 1 time in total

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Blue and pink sashes,
Criss-cross shoes,
Minna and Stella run out into the garden
To play at hoop.


Up and down the garden-paths they race,
In the yellow sunshine,
Each with a big round hoop
White as a stripped willow-wand.


Round and round turn the hoops,
Their diamond whiteness cleaving the yellow sunshine.
The gravel crunches and squeaks beneath them,
And a large pebble springs them into the air
To go whirling for a foot or two
Before they touch the earth again
In a series of little jumps.


Spring, Hoops!
Spit out a shower of blue and white brightness.
The little criss-cross shoes twinkle behind you,
The pink and blue sashes flutter like flags,
The hoop-sticks are ready to beat you.
Turn, turn, Hoops! In the yellow sunshine.
Turn your stripped willow whiteness
Along the smooth paths.


Stella sings:
"Round and round, rolls my hoop,
Scarcely touching the ground,
With a swoop,
And a bound,
Round and round.
With a bumpety, crunching, scattering sound,
Down the garden it flies;
In our eyes
The sun lies.
See it spin
Out and in;
Through the paths it goes whirling,
About the beds curling.
Sway now to the loop,
Faster, faster, my hoop.
Round you come,
Up you come,
Quick and straight as before.
Run, run, my hoop, run,
Away from the sun."


And the great hoop bounds along the path,
Leaping into the wind-bright air.


Minna sings:
"Turn, hoop,
Burn hoop,
Twist and twine
Hoop of mine.
Flash along,
Leap along,
Right at the sun.
Run, hoop, run.
Faster and faster,
Whirl, twirl.
Wheel like fire,
And spin like glass;
Fire's no whiter
Glass is no brighter.
Dance,
Prance,
Over and over,
About and about,
With the top of you under,
And the bottom at top,
But never a stop.
Turn about, hoop, to the tap of my stick,
I follow behind you
To touch and remind you.
Burn and glitter, so white and quick,
Round and round, to the tap of a stick."


The hoop flies along between the flower-beds,
Swaying the flowers with the wind of its passing.


Beside the foxglove-border roll the hoops,
And the little pink and white bells shake and jingle
Up and down their tall spires;
They roll under the snow-ball bush,
And the ground behind them is strewn with white petals;
They swirl round a corner,
And jar a bee out of a Canterbury bell;
They cast their shadows for an instant
Over a bed of pansies,
Catch against the spurs of a columbine,
Jostle the quietness from a cluster of monk's-hood.
Pat! Pat! behind them come the little criss-cross shoes,
And the blue and pink sashes stream out in flappings of colour.


Stella sings:
"Hoop, hoop,
Roll along,
Faster bowl along,
Hoop.
Slow, to the turning,
Now go! -- Go!
Quick!
Here's the stick.
Rat-a-tap-tap it,
Pat it, flap it.
Fly like a bird or a yellow-backed bee,
See how soon you can reach that tree.
Here is a path that is perfectly straight.
Roll along, hoop, or we shall be late."


Minna sings:
"Trip about, slip about, whip about
Hoop.
Wheel like a top at its quickest spin,
Then, dear hoop, we shall surely win.
First to the greenhouse and then to the wall
Circle and circle,
And let the wind push you,
Poke you,
Brush you,
And not let you fall.
Whirring you round like a wreath of mist.
Hoopety hoop,
Twist,
Twist."


Tap! Tap! go the hoop-sticks,
And the hoops bowl along under a grape arbour.
For an instant their willow whiteness is green,
Pale white-green.
Then they are out in the sunshine,
Leaving the half-formed grape clusters
A-tremble under their big leaves.


"I will beat you, Minna," cries Stella,
Hitting her hoop smartly with her stick.
"Stella, Stella, we are winning," calls Minna,
As her hoop curves round a bed of clove-pinks.
A humming-bird whizzes past Stella's ear,
And two or three yellow-and-black butterflies
Flutter, startled, out of a pillar rose.
Round and round race the little girls
After their great white hoops.


Suddenly Minna stops.
Her hoop wavers an instant,
But she catches it up on her stick.
"Listen, Stella!"
Both the little girls are listening;
And the scents of the garden rise up quietly about them.
"It's the chaise! It's Father!
Perhaps he's brought us a book from Boston."
Twinkle, twinkle, the little criss-cross shoes
Up the garden path.
Blue -- pink -- an instant, against the syringa hedge.
But the hoops, white as stripped willow-wands,
Lie in the grass,
And the grasshoppers jump back and forth
Over them.

II
Battledore and Shuttlecock

The shuttlecock soars upward
In a parabola of whiteness,
Turns,
And sinks to a perfect arc.
Plat! the battledore strikes it,
And it rises again,
Without haste,
Winged and curving,
Tracing its white flight
Against the clipped hemlock-trees.
Plat!
Up again,
Orange and sparkling with sun,
Rounding under the blue sky,
Dropping,
Fading to grey-green
In the shadow of the coned hemlocks.
"Ninety-one." "Ninety-two." "Ninety-three."
The arms of the little girls
Come up -- and up --
Precisely,
Like mechanical toys.
The battledores beat at nothing,
And toss the dazzle of snow
Off their parchment drums.
"Ninety-four." Plat!
"Ninety-five." Plat!
Back and forth
Goes the shuttlecock,
Icicle-white,
Leaping at the sharp-edged clouds,
Overturning,
Falling,
Down,
And down,
Tinctured with pink
From the upthrusting shine
Of Oriental poppies.


The little girls sway to the counting rhythm;
Left foot,
Right foot.
Plat! Plat!
Yellow heat twines round the handles of the battledores,
The parchment cracks with dryness;
But the shuttlecock
Swings slowly into the ice-blue sky,
Heaving up on the warm air
Like a foam-bubble on a wave,
With feathers slanted and sustaining.
Higher,
Until the earth turns beneath it;
Poised and swinging,
With all the garden flowing beneath it,
Scarlet, and blue, and purple, and white --
Blurred colour reflections in rippled water --
Changing -- streaming --
For the moment that Stella takes to lift her arm.
Then the shuttlecock relinquishes,
Bows,
Descends;
And the sharp blue spears of the air
Thrust it to earth.


Again it mounts,
Stepping up on the rising scents of flowers,
Buoyed up and under by the shining heat.
Above the foxgloves,
Above the guelder-roses,
Above the greenhouse glitter,
Till the shafts of cooler air
Meet it,
Deflect it,
Reject it,
Then down,
Down,
Past the greenhouse,
Past the guelder-rose bush,
Past the foxgloves.


"Ninety-nine," Stella's battledore springs to the impact.
Plunk! Like the snap of a taut string.
"Oh! Minna!"
The shuttlecock drops zigzagedly,
Out of orbit,
Hits the path,
And rolls over quite still.
Dead white feathers,
With a weight at the end.

III
Garden Games

The tall clock is striking twelve;
And the little girls stop in the hall to watch it,
And the big ships rocking in a half-circle
Above the dial.
Twelve o'clock!
Down the side steps
Go the little girls,
Under their big round straw hats.
Minna's has a pink ribbon,
Stella's a blue,
That is the way they know which is which.
Twelve o'clock!
An hour yet before dinner.
Mother is busy in the still-room,
And Hannah is making gingerbread.


Slowly, with lagging steps,
They follow the garden-path,
Crushing a leaf of box for its acrid smell,
Discussing what they shall do,
And doing nothing.


"Stella, see that grasshopper
Climbing up the bank!
What a jump!
Almost as long as my arm."
Run, children, run.
For the grasshopper is leaping away,
In half-circle curves,
Shuttlecock curves,
Over the grasses.
Hand in hand, the little girls call to him:
"Grandfather, grandfather gray,
Give me molasses, or I'll throw you away."


The grasshopper leaps into the sunlight,
Golden-green,
And is gone.


"Let's catch a bee."
Round whirl the little girls,
And up the garden.
Two heads are thrust among the Canterbury bells,
Listening,
And fingers clasp and unclasp behind backs
In a strain of silence.


White bells,
Blue bells,
Hollow and reflexed.
Deep tunnels of blue and white dimness,
Cool wine-tunnels for bees.
There is a floundering and buzzing over Minna's head.


"Bend it down, Stella. Quick! Quick!"
The wide mouth of a blossom
Is pressed together in Minna's fingers.
The stem flies up, jiggling its flower-bells,
And Minna holds the dark blue cup in her hand,
With the bee
Imprisoned in it.
Whirr! Buzz! Bump!
Bump! Whiz! Bang!
BANG!!
The blue flower tears across like paper,
And a gold-black bee darts away in the sunshine.


"If we could fly, we could catch him."
The sunshine is hot on Stella's upturned face,
As she stares after the bee.
"We'll follow him in a dove chariot.
Come on, Stella."
Run, children,
Along the red gravel paths,
For a bee is hard to catch,
Even with a chariot of doves.


Tall, still, and cowled,
Stand the monk's-hoods;
Taller than the heads of the little girls.
A blossom for Minna.
A blossom for Stella.
Off comes the cowl,
And there is a purple-painted chariot;
Off comes the forward petal,
And there are two little green doves,
With green traces tying them to the chariot.
"Now we will get in, and fly right up to the clouds.
Fly, Doves, up in the sky,
With Minna and me,
After the bee."


Up one path,
Down another,
Run the little girls,
Holding their dove chariots in front of them;
But the bee is hidden in the trumpet of a honeysuckle,
With his wings folded along his back.


The dove chariots are thrown away,
And the little girls wander slowly through the garden,
Sucking the salvia tips,
And squeezing the snapdragons
To make them gape.
"I'm so hot,
Let's pick a pansy
And see the little man in his bath,
And play we're he."
A royal bath-tub,
Hung with purple stuffs and yellow.
The great purple-yellow wings
Rise up behind the little red and green man;
The purple-yellow wings fan him,
He dabbles his feet in cool green.
Off with the green sheath,
And there are two spindly legs.
"Heigho!" sighs Minna.
"Heigho!" sighs Stella.
There is not a flutter of wind,
And the sun is directly overhead.


Along the edge of the garden
Walk the little girls.
Their hats, round and yellow like cheeses,
Are dangling by the ribbons.
The grass is a tumult of buttercups and daisies;
Buttercups and daisies streaming away
Up the hill.
The garden is purple, and pink, and orange, and scarlet;
The garden is hot with colours.
But the meadow is only yellow, and white, and green,
Cool, and long, and quiet.
The little girls pick buttercups
And hold them under each other's chins.
"You're as gold as Grandfather's snuff-box.
You're going to be very rich, Minna."
"Oh-o-o! Then I'll ask my husband to give me a pair of garnet earrings
Just like Aunt Nancy's.
I wonder if he will.
I know. We'll tell fortunes.
That's what we'll do."
Plump down in the meadow grass,
Stella and Minna,
With their round yellow hats,
Like cheeses,
Beside them.
Drop,
Drop,
Daisy petals.
"One I love,
Two I love,
Three I love I say . . ."
The ground is peppered with daisy petals,
And the little girls nibble the golden centres,
And play it is cake.


A bell rings.
Dinner-time;
And after dinner there are lessons.

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Mild Offspring of infirm humanity,
Meek Infant! among all forlornest things
The most forlorn—one life of that bright star,
The second glory of the Heavens?—Thou hast;
Already hast survived that great decay,
That transformation through the wide earth felt,
And by all nations. In that Being's sight
From whom the Race of human kind proceed,
A thousand years are but as yesterday;
And one day's narrow circuit is to Him
Not less capacious than a thousand years.
But what is time? What outward glory? neither
A measure is of Thee, whose claims extend
Through "heaven's eternal year."—Yet hail to Thee,
Frail, feeble, Monthling!—by that name, methinks,
Thy scanty breathing-time is portioned out
Not idly.—Hadst thou been of Indian birth,
Couched on a casual bed of moss and leaves,
And rudely canopied by leafy boughs,
Or to the churlish elements exposed
On the blank plains,—the coldness of the night,
Or the night's darkness, or its cheerful face
Of beauty, by the changing moon adorned,
Would, with imperious admonition, then
Have scored thine age, and punctually timed
Thine infant history, on the minds of those
Who might have wandered with thee.—Mother's love,
Nor less than mother's love in other breasts,
Will, among us warm-clad and warmly housed,
Do for thee what the finger of the heavens
Doth all too often harshly execute
For thy unblest coevals, amid wilds
Where fancy hath small liberty to grace
The affections, to exalt them or refine;
And the maternal sympathy itself,
Though strong, is, in the main, a joyless tie
Of naked instinct, wound about the heart.
Happier, far happier is thy lot and ours!
Even now—to solemnise thy helpless state,
And to enliven in the mind's regard
Thy passive beauty—parallels have risen,
Resemblances, or contrasts, that connect,
Within the region of a father's thoughts,
Thee and thy mate and sister of the sky.
And first;—thy sinless progress, through a world
By sorrow darkened and by care disturbed,
Apt likeness bears to hers, through gathered clouds,
Moving untouched in silver purity,
And cheering oft-times their reluctant gloom.
Fair are ye both, and both are free from stain:
But thou, how leisurely thou fill'st thy horn
With brightness! leaving her to post along,
And range about, disquieted in change,
And still impatient of the shape she wears.
Once up, once down the hill, one journey, Babe
That will suffice thee; and it seems that now
Thou hast fore-knowledge that such task is thine;
Thou travellest so contentedly, and sleep'st
In such a heedless peace. Alas! full soon
Hath this conception, grateful to behold,
Changed countenance, like an object sullied o'er
By breathing mist; and thine appears to be
A mournful labour, while to her is given
Hope, and a renovation without end.
—That smile forbids the thought; for on thy face
Smiles are beginning, like the beams of dawn,
To shoot and circulate; smiles have there been seen;
Tranquil assurances that Heaven supports
The feeble motions of thy life, and cheers
Thy loneliness: or shall those smiles be called
Feelers of love, put forth as if to explore
This untried world, and to prepare thy way
Through a strait passage intricate and dim?
Such are they; and the same are tokens, signs,
Which, when the appointed season hath arrived,
Joy, as her holiest language, shall adopt;
And Reason's godlike Power be proud to own.

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I have a boy of five years old;
His face is fair and fresh to see;
His limbs are cast in beauty's mould,
And dearly he loves me.

One morn we strolled on our dry walk,
Our quiet home all full in view,
And held such intermitted talk
As we are wont to do.

My thoughts on former pleasures ran;
I thought of Kilve's delightful shore,
Our pleasant home when spring began,
A long, long year before.

A day it was when I could bear
Some fond regrets to entertain;
With so much happiness to spare,
I could not feel a pain.

The green earth echoed to the feet
Of lambs that bounded through the glade,
From shade to sunshine, and as fleet
From sunshine back to shade.

Birds warbled round me—and each trace
Of inward sadness had its charm;
Kilve, thought I, was a favoured place,
And so is Liswyn farm.

My boy beside me tripped, so slim
And graceful in his rustic dress!
And, as we talked, I questioned him,
In very idleness.

"Now tell me, had you rather be,"
I said, and took him by the arm,
"On Kilve's smooth shore, by the green sea,
Or here at Liswyn farm?"

In careless mood he looked at me,
While still I held him by the arm,
And said, "At Kilve I'd rather be
Than here at Liswyn farm."

"Now, little Edward, say why so:
My little Edward, tell me why."—
"I cannot tell, I do not know."—
"Why, this is strange," said I;

"For, here are woods, hills smooth and warm:
There surely must some reason be
Why you would change sweet Liswyn farm
For Kilve by the green sea."

At this, my boy hung down his head,
He blushed with shame, nor made reply;
And three times to the child I said,
"Why, Edward, tell me why?"

His head he raised—there was in sight,
It caught his eye, he saw it plain—
Upon the house-top, glittering bright,
A broad and gilded vane.

Then did the boy his tongue unlock,
And eased his mind with this reply:
"At Kilve there was no weather-cock;
And that's the reason why."

O dearest, dearest boy! my heart
For better lore would seldom yearn,
Could I but teach the hundredth part
Of what from thee I learn.

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WHEN the bare feet of the baby beat across the grass
The little white feet nod like white flowers in the wind,
They poise and run like ripples lapping across the water;
And the sight of their white play among the grass
Is like a little robin's song, winsome,
Or as two white butterflies settle in the cup of one flower
For a moment, then away with a flutter of wings.

I long for the baby to wander hither to me
Like a wind-shadow wandering over the water,
So that she can stand on my knee
With her little bare feet in my hands,
Cool like syringa buds,
Firm and silken like pink young peony flowers.

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Oh Mama look, a flutter-by,
her tiny hand held out to me.
She grasped it firmly in her fist
afraid to set it free.

Lovingly I showed her
one of life's most painful tests:
sometimes the ones we love the most
we hurt more than the rest.

The butterfly was still alive
but alas, its wings were bent.
This tiny miracle of grace
its rainbow all but spent.

The magic dust was there to see.
Tears welled up in her eyes.
I hugged her gently and I said,
"A real love never dies."

We spoke again of letting go,
of holding love less tightly,
to hold it gently in our hearts
shows love much more when lightly.

That day when she was very small
we more than mourned a butterfly.
We shared a magic, tender moment.
I'll always thank the flutter-by.

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The oak-tree in front of my house
Smells different every morning.
Sometimes it smells fresh and wise
Like my mother's hair.
Sometimes it stands ashamed
Because it doesn't own the smell
It borrowed from our flower-garden.
Sometimes it has a windy smell,
As though it had come back from a long walk.
The oak-tree in front of my house
Has different smells, like grown up people.

My doll hides behind her pink cheeks,
So that you can't see when she moves,
But it doesn't matter because
She always moves when no one is looking,
And that is why people think she is still.
People laugh when I say that my doll is alive,
But if she were dead, my fingers
Wouldn't know that they were touching her.
She lives inside a little house.
And laughs because I cannot find the door.

The colours in my room
Meet each other and hesitate.
Is that what people call shape?
Nobody seems to think so,
But I believe that lines are dead shapes
Unless they fall against each other
And look surprised, like the colours in my room!

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A small house with a dog in front ...
O my love! Tonight, this rose is wet.
In the big park, by the rusty gate,
I walk with you in a timeless dream.

It drizzles outside; come here, come ... the wind
In the bay-trees sobs ... Oh! Don't be frightened!
Keep your little arms around my neck ...
Let us make our dead hearts living again.

Plunge with your soft eyes of dark violet
Into my sad and serious glance which reflects
My grief ... Hear my voice ... It is the death knell.

I lead her gently in her little dress,
The one I loved, my little dead girl
With pale face and lilacs in her wax hands.

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"I have no name;
I am but two days old."
What shall I call thee?
"I happy am,
Joy is my name."
Sweet joy befall thee!

Pretty joy!
Sweet joy, but two days old.
Sweet Joy I call thee:
Thou dost smile,
I sing the while;
Sweet joy befall thee!

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The little boy lost in the lonely fen,
Led by the wandering light,
Began to cry, but God, ever nigh,
Appeared like his father, in white.

He kissed the child, and by the hand led,
And to his mother brought,
Who in sorrow pale, through the lonely dale,
The little boy weeping sought.

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Aggies, steelies, bowlers, shooters, and pitchers.
The currency of our early youth.
Wealth, social status, and earning potential forecast
by one's skill and the size of the pouch.

The venue brown and hard, packed and polished for decades
by thousands of small feet. Not one blade of grass.
The courts for circles and pots along the edge,
under Giant Leaf Maples, and among their roots.

Three times a day, five days a week, nine months a year
the players gathered. A ritual using insults, standings and
wealth brought contestants together. Early matches scouted
by cautious players. Games always ended by the recess bell.

No steelies; knuckles on the ground; no stickers, and more.
Each contest customized by the combatants;
to emphasize strengths and hide weaknesses.
A small-fry metaphor for entrepreneur.

"Going for all the marbles."
"Losing one's marbles."
"… mouth full of marbles."
No essay is complete without related clichés.
Although proper attribution is a tough shot!

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Many birds and the beating of wings
Make a flinging reckless hum
In the early morning at the rocks
Above the blue pool
Where the gray shadows swim lazy.

In your blue eyes, O reckless child,
I saw today many little wild wishes,
Eager as the great morning.

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Down by the end of the lane it stands,
Where the sumac grows in a crimson thatch,
Down where the sweet wild berry patch,
Holds out a lure for eager hands.
Down at the end of the lane, who knows
The ghosts that sit at the well-scarred seats,
When the moon is dark, and the gray sky meets
With the dawn time light, and a chill wind blows?

Ghosts--well not ghosts, perhaps, but dreams--
Rather like wistful shades, that stand
Waiting a look or an outstretched hand,
To call them back where the morning gleams--
Dreams of the hopes we had, that died,
Dreams of the vivid youth we sold;
Dreams of a pot of rainbow gold--
Gold that we sought for, eager-eyed!

Dreams of the plans we made, that sleep
With the lesson books on the dusty rack,
Of the joyous years that will not come back--
That are drowned in the tears we have learned to weep.
Ghosts did I call them! Sweet they are
As a plant that grows in a desert place,
Sweet as a dear remembered face--
Sweet as a pale, courageous star.

Where the sumac grows in a flaming wall,
It stands, at the end of a little lane,
And there do the children come again,
Answering, still, the bell's shrill call,
Just as we came, with their songs unsung,
And their hopes all new, and their dreams dew kissed,
Brave as the sun in a land of mist--
Just as we came when the world was young!

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In the land of Wu the mulberry leaves are green,
And thrice the silkworms have gone to sleep.
In East Luh where my family stay,
I wonder who is sowing those fields of ours.
I cannot be back in time for the spring doings,
Yet I can help nothing, traveling on the river.
The south wind blowing wafts my homesick spirit
And carries it up to the front of our familiar tavern.
There I see a peach tree on the east side of the house
With thick leaves and branches waving in the blue mist.
It is the tree I planted before my parting three years ago.
The peach tree has grown now as tall as the tavern roof,
While I have wandered about without returning.
Ping-yang, my pretty daughter, I see you stand
by the peach tree and pluck a flowering branch.
You pluck the flowers, but I am not there--
How your tears flow like a stream of water!
My little son, Po-chin, grown up to your sister's shoulders,
You come out with her under the peach tree,
But who is there to pat you on the back?
When I think of these things, my senses fail,
And a sharp pain cuts my heart every day.
Now I tear off a piece of white silk to write this letter,
And send it to you with my love a long way up the river.

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We are a family now, a whole,
Of which you are a part,
And you are just as much my child
As any in my heart.

I do not love you differently,
Nor would I give up less
Of all that life has given me
To bring you happiness.

There is no limit to my love,
No boundary you might cross,
No price you might be asked to pay,
No need to fear its loss.

We are now one, the four of us,
Windows of one home.
As long as I have life and breath,
You'll never be alone.

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