ORIGIN POEMS

I shall never forget you, Broadway
Your golden and calling lights.

I'll remember you long,
Tall-walled river of rush and play.

Hearts that know you hate you
And lips that have given you laughter
Have gone to their ashes of life and its roses,
Cursing the dreams that were lost
In the dust of your harsh and trampled stones.

What hurrying human tides, or day or night!
What passions, winnings, losses, ardors, swim thy waters!
What whirls of evil, bliss and sorrow, stem thee!
What curious questioning glances--glints of love!
Leer, envy, scorn, contempt, hope, aspiration!
Thou portal--thou arena--thou of the myriad long-drawn lines and groups!
(Could but thy flagstones, curbs, facades, tell their inimitable tales;
Thy windows rich, and huge hotels--thy side-walks wide;)
Thou of the endless sliding, mincing, shuffling feet!
Thou, like the parti-colored world itself--like infinite, teeming,
mocking life!
Thou visor'd, vast, unspeakable show and lesson!

With sardonic futility
The multi-coloured crowd,
Hurried by fervent sensuality,
Flees from something carried on its back.
Endlessly subdued, a sound
Pours up from the crowd,
Like some one ever gasping for breath
to utter releasing words.
Through the artificial valley
Made by gaudy evasions,
The stifled crowd files up and down,
Stabbing thought with rapid noises.
Women strutting dulcetly,
Embroider their unappeased hungers,
And men stumble toward a flitting opiate.
Sometimes a moment breaks apart
And one can hear the knuckles
Of children rapping on towering doors:
Rapping on the highway
Where civilization parades
Its frozen amiabilities!

The city is gritty, dark, and hard.
The subways rumble on and on.
The rats scurry as the people overflow
Onto the station and up to the neon show.

Outsiders look up, locals look straight.
The hawkers haggle, the hookers wait.
The traffic rushes scornful of the streets
Marred and littered with a million moving feet.

And yet the congregations grow.
Worldly masses turn and flow
To money as muslims do to Mecca.
And pilgrims walk amidst the glimpses of gods in Tribeca.

City of orgies, walks and joys,
City whom that I have lived and sung in your midst will one day make
Not the pageants of you, not your shifting tableaus, your
spectacles, repay me,
Not the interminable rows of your houses, nor the ships at the wharves,
Nor the processions in the streets, nor the bright windows with
goods in them,
Nor to converse with learn'd persons, or bear my share in the soiree
or feast;
Not those, but as I pass O Manhattan, your frequent and swift flash
of eyes offering me love,
Offering response to my own--these repay me,
Lovers, continual lovers, only repay me.

Flood-tide below me! I see you face to face!
Clouds of the west--sun there half an hour high--I see you also face
to face.

Crowds of men and women attired in the usual costumes, how curious
you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
to me, and more in my meditations, than you might suppose.

2

The impalpable sustenance of me from all things at all hours of the day,
The simple, compact, well-join'd scheme, myself disintegrated, every
one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
an hour high,
A hundred years hence, or ever so many hundred years hence, others
will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
falling-back to the sea of the ebb-tide.

It avails not, time nor place--distance avails not,
I am with you, you men and women of a generation, or ever so many
generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh'd by the gladness of the river and the
bright flow, I was refresh'd,
Just as you stand and lean on the rail, yet hurry with the swift
current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
thick-stemm'd pipes of steamboats, I look'd.

I too many and many a time cross'd the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look'd at the fine centrifugal spokes of light round the shape of my
head in the sunlit water,
Look'd on the haze on the hills southward and south-westward,
Look'd on the vapor as it flew in fleeces tinged with violet,
Look'd toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
serpentine pennants,
The large and small steamers in motion, the pilots in their pilothouses,
The white wake left by the passage, the quick tremulous whirl of the wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank'd on
each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
light over the tops of houses, and down into the clefts of streets.

An old Jew munches an apple,
With conquering immersion
All the thwarted longings of his life
Urge on his determined teeth.
His face is hard and pear-shaped;
His eyes are muddy capitulations;
But his mouth is incongruous.
Softly, slightly distended,
Like that of a whistling girl,
It is ingenuously haunting
And makes the rest of him a soiled, grey background.
Hopes that lie within their grave
Of submissive sternness,
Have spilled their troubled ghosts upon this mouth,
And a tortured belief
Has dwindled into tenderness upon it ...
He trudges off behind his push-cart
And the Ghetto walks away with him.

Seasons bring nothing to this gulch
Save a harshly intimate anecdote
Scrawled, here and there, on paint and stone.
The houses shoulder each other
In a forced and passionless communion.
Their harassed angles rise
Like a violent picture-puzzle
Hiding a story that only ruins could reveal;
Their straight lines, robbed of power,
Meet in dwarfed rebellion.
Sometimes they stand like vastly flattened faces
Suffering ants to crawl
In and out of their gaping mouths.
Sometimes, in menial attitudes
They stand like Gothic platitudes
Slipshodly carved in dark brown stone.
Tarnished solemnities of death
Cast their transfigured hue on this avenue.
The cool and indiscriminate glare
Of sunlight seems to desecrate a tomb,
And the racing people seem
A stream of accidental shadows.
Hard noises strike one's face and make
It numb with momentary reality,
But the noiseless undertone returns
And they change to unreal jests
Made by death.

I walk the streets of the city like a
traveler from the distant stars
noting every nuance of the human thirst for
survival, for pleasure, for reverence,
for glory and for meaning.

Humans seem to be beleaguered by the
complexity of the inner life,
the images of self and others and the
summation of the infinitely diverse interpretations of the
singular events and circumstances of a lifetime.

There are many nomads in the city,
many homeless,
many hanging precariously to life.

There are many young vital males with
nothing to do but endure the
relentless passing of time
while the vitality roars in their bodies.

These men decay from within from the
ravages of the restless engine of inertia,
the parks, the christian missions and
ultimately the prisons await them.

There are many who walk the city
inescapably mad tormented by the fire
burning constantly in their brains.

There are many who walk the streets with a
running dialogue being carried on by the
myriad personalities trapped within a
singular consciousness
particularly prone to perilous ends,
completely devoid of the least remnant of
survival programming, so engrossed are they
with their own divinations.

Uptown women at the very pinnacle of fashion,
hailing cabs in a driving rain,
junkies nodding out over a cup of coffee at bickford's,
lunch time employees causing
ten thousand hot dogs to disappear from a
nedick's restaurant in less than an hour,
a drunk pissing on a statue opposite macy's.

Five young black boys
demolishing a burnt out tenement with
consummate speed and skill,
young gay men cruising with an
almost mocking grace on a
hot summer afternoon in central park,
a family speaking french on a bus
nearing lincoln center,
old italian men in white playing bocce.

A gaggle of widowed women
lined up on park benches
like chickens roosting on an old fallen log
exchanging stories regarding their dead husbands
and inconsiderate children,
or comparing the severity of their operations,
queues of young professionals outside the
broadway theaters on a saturday night.

The ghost like quality of Wall Street on a
sunday afternoon with the wind blowing the
refuge through silent thoroughfares,
the sharply delineated gray of winter with
low clouds enshrouding the great skyscrapers,
thousands upon thousands of workers
emptying out of their cubicles onto fifth avenue.

These are some of the images that
envelop my senses and
catapult me into the
ever changing fabric of the human kind
infinitely diverse yet
somehow monolithic,
ever moving yet changeless,
an immense population that
shares a commonality of their genes,
the architecture of their brains
and the form of their bodies.

Humans are the chimera of a protracted past,
an instantaneous present and
an uncertain future.

The city stands as a
crystalline mirror to that humanity
revealing all its convoluted facets,
its monumental incoherence and
shimmering vitality.

My own growing up with all its
particular circumstances is but an
indelicate mirror of the state and situation of humanity.

I am, in fact, a living time machine
carrying with me through the fourth dimension
the history and possibilities of the race.

I was asking for something specific and perfect for my city,
Whereupon lo! upsprang the aboriginal name.

Now I see what there is in a name, a word, liquid, sane, unruly,
musical, self-sufficient,
I see that the word of my city is that word from of old,
Because I see that word nested in nests of water-bays, superb,
Rich, hemm'd thick all around with sailships and steamships, an
island sixteen miles long, solid-founded,
Numberless crowded streets, high growths of iron, slender, strong,
light, splendidly uprising toward clear skies,
Tides swift and ample, well-loved by me, toward sundown,
The flowing sea-currents, the little islands, larger adjoining
islands, the heights, the villas,
The countless masts, the white shore-steamers, the lighters, the
ferry-boats, the black sea-steamers well-model'd,
The down-town streets, the jobbers' houses of business, the houses
of business of the ship-merchants and money-brokers, the river-streets,
Immigrants arriving, fifteen or twenty thousand in a week,
The carts hauling goods, the manly race of drivers of horses, the
brown-faced sailors,
The summer air, the bright sun shining, and the sailing clouds aloft,
The winter snows, the sleigh-bells, the broken ice in the river,
passing along up or down with the flood-tide or ebb-tide,
The mechanics of the city, the masters, well-form'd,
beautiful-faced, looking you straight in the eyes,
Trottoirs throng'd, vehicles, Broadway, the women, the shops and shows,
A million people--manners free and superb--open voices--hospitality--
the most courageous and friendly young men,
City of hurried and sparkling waters! city of spires and masts!
City nested in bays! my city!

A near horizon whose sharp jags
Cut brutally into a sky
Of leaden heaviness, and crags
Of houses lift their masonry
Ugly and foul, and chimneys lie
And snort, outlined against the gray
Of lowhung cloud. I hear the sigh
The goaded city gives, not day
Nor night can ease her heart, her anguished labours stay.

Below, straight streets, monotonous,
From north and south, from east and west,
Stretch glittering; and luminous
Above, one tower tops the rest
And holds aloft man's constant quest:
Time! Joyless emblem of the greed
Of millions, robber of the best
Which earth can give, the vulgar creed
Has seared upon the night its flaming ruthless screed.


O Night! Whose soothing presence brings
The quiet shining of the stars.
O Night! Whose cloak of darkness clings
So intimately close that scars
Are hid from our own eyes. Beggars
By day, our wealth is having night
To burn our souls before altars
Dim and tree-shadowed, where the light
Is shed from a young moon, mysteriously bright.


Where art thou hiding, where thy peace?
This is the hour, but thou art not.
Will waking tumult never cease?
Hast thou thy votary forgot?
Nature forsakes this man-begot
And festering wilderness, and now
The long still hours are here, no jot
Of dear communing do I know;
Instead the glaring, man-filled city groans below!

Perspiring violence derides
The pathetic collapse of dirt.
An effervescence of noises
Depends upon cement for its madness.
Electric light is taut and dull,
Like a nauseated suspense.
This kind of heat is the recollection
Of an orgy in a swamp.
Soiled caskets joined together
Slide to rasping stand-stills.
People savagely tamper
With each other's bodies,
Scampering in and out of doorways.
Weighted with apathetic bales of people
The soiled caskets rattle on.
The scene consists of mosaics
Jerkily pieced together and blown apart.
A symbol of billowing torment,
This sturdy girl leans against an iron girder.
Weariness has loosened her face
With its shining cruelty.
Round and poverty-stricken
Her face renounces life.
Her white cotton waist is a wet skin on her breast:
Her black hat, crisp and delicate,
Does not understand her head.
An old man stoops beside her,
Sweat and wrinkles errupting
Upon the blunt remnants of his face.
A little black pot of a hat
Corrupts his grey-haired head.

Two figures on a subway-platform,
Pieced together by an old complaint.